Isle of Man Government

An original film challenging screen-led consumption.

Context

This campaign was commissioned by Business Isle of Man, part of the Isle of Man Government Department for Enterprise.

The brief focused on supporting local economic activity during the Christmas period, with freedom to explore how behaviour could be meaningfully influenced.

Through early exploration, we identified a deeper behavioural pattern shaping consumer choice. Screen-led purchasing and online convenience had become the default, largely driven by habit rather than conscious decision-making.

The opportunity was not to restate familiar messaging, but to question the cycle that had normalised digital consumption.


The Strategic Challenge

Online platforms are designed to hold attention, reduce friction, and accelerate decisions. Over time, this shifts behaviour. Purchasing becomes habitual rather than deliberate, particularly within family life where screens increasingly mediate everyday choices.

In this environment, traditional messaging struggles because it competes with behaviour rather than addressing it.

The challenge was to surface the influence of screens and create a moment of interruption without instruction, guilt, or moral pressure.

The aim was reconsideration.


Our Role

We led concept development and carried the work through pre-production, production, and post-production, delivering the finished films for publication and press.

This included narrative development, writing and storyboarding, casting, filming, post-production, and delivery of campaign cuts.

Publication and press distribution were managed through government and Island media channels.


Narrative Approach

The film uses everyday family life to reflect modern consumption behaviour. The pull of screens and online shopping is presented as a constant background presence rather than an explicit antagonist.

The story avoids criticism of technology itself. Instead, it allows audiences to recognise how attention is shaped and how choices are often made by default.

The turning point is small and human. A conscious break from the screen leads back to physical spaces, shared experience, and real-world presence.

The tone is restrained and observational, allowing viewers to reach their own conclusions.


Outcome

The film was featured across every major press outlet on the Isle of Man, supported by government-led publication and amplification.

Beyond reach, it contributed to a wider conversation about screen time, habit, and attention. It reframed everyday purchasing as something that can be considered rather than automated.

Local businesses volunteered their time and spaces to take part, reinforcing the intent of the work through both its production and its message.


Why This Matters

Behaviour rarely changes through instruction alone.

It changes when the forces shaping behaviour become visible.

This project shows how narrative-led film can expose habitual patterns, interrupt automated decision-making, and create space for more deliberate choice.

The work sits between culture, narrative, and marketing, using storytelling to prompt reflection rather than persuasion.


How This Reflects Our Work

We originate ideas and carry them through to execution.

Sometimes the work is structural. Sometimes it is a single, well-placed intervention.

This project shows how film can be used to challenge default behaviour by revealing what has quietly come to dominate attention.

Writer and Director Andy Orton explains:

“Digital technology is no longer about tools and convenience… it’s about deliberately maximising screen time through personalisation. We need to be more vigilant about living in the real world. It’s a much better place for your family to be.”

Meet Jeremy Theobald - Our Villain

From starring in Christopher Nolan’s cult debut Following to roles in Batman Begins, Tenet, and as the lead in the psychological thriller Convergence, Jeremy delivers a masterclass in subtle menace.

He’s also a filmmaker, educator, and a driving force behind the Isle of Man’s growing film industry. Today, he’s helping to launch Screen Isle of Man – a vital portal showcasing the island’s film locations, talent, and crew.

Meet Vivi

A force of nature on set, with the focus and poise of a seasoned actress. She never failed to bring energy and fun to every behind-the-scenes moment, and when she’s not performing, you’ll find her lost in a good book, or racing around at athletics club.

Vivi began her journey with Stage Ed summer school performances and now trains with the Parker Snell Company. Installed marks her exciting on-camera debut – and we’re certain it won’t be her last.

Credits and Thanks

A sincere thank you to the businesses who volunteered their time including the The Barn at Ballaughton, Frank Matcham’sMagazzino, Juliette’s Cake Decorating Experience, and Stanley’s Restaurant & Café.

Small businesses like this are so important to support, they truly help make the island a better place to live.

This film wouldn't have been possible without the dedicated team, their time and expertise:

Crew:

Andy Orton - Writer and Director
Ella Garvey - Assistant Producer
William Oates and Nico Van Loggerenberg - Directors of Photography
Dave Armstrong - Sound Recordist
Scott Booth - Dog Handler
Carl Parker - Casting, Parker & Snell

Cast:

Jeremy Theobald - Villain
Vivi Quaye - Isabella
Arthur and Albert Orton - Twins
Raluca Matei-Orton - Mum
John Beaty - Dad
Ricka Hermogenes - Store Assistant at Magazzino
Juliette Sinclair - Workshop Leader / Business Owner at Juliette's
Mike Thompson - Restaurant Manager at Stanley's